Masilamani review
12 Jun 09, 08:34pm
12 Jun 09, 08:34pm
Maasilamani â Interesting on more parts
Banner: Sun Pictures, AGS Entertainment
Production: Kalanidhi Maaran, Kalapathy S Agoram
Story, Screenplay, Dialogues and Direction: RNR Manohar
Star-casts: Nakul, Sunaina, Pawan, Karunas, Santhanam, Srinath, M S Bhaskar, Raj Kapoor, Santhana Bharathi, Delhi Ganesh, Meera Krishna, Manobala, Tharani and many others.
Music: D. Imman
âKadhalil Vizhundhenâ perhaps couldâve been commercially successful with the wild marketing of Sun Pictures. But to be incisive, this endeavor with âMaasilamaniâ is quite commendable from the point-view of âBâ and âCâ centres. Director Manohar who strikes with his debut directorial after penning dialogues for various Tamil films has proved himself to be brilliant on penning smart-moved plots. Although, few amongst them in screenplay are illustrating to be absurd, theyâre diminished with the good packaging.
After a long time, we tend to hear whistles of cheering from audiences for the fast beat songs. Applause to Imman indeed!
The filmâs script is so simple. Born and brought up across the lanes of Rani Anna Nagar slum, Maasilamani is an aggressive youngster who strikes violently when unjust troubles his colony members. He falls in love with Divya (Sunaina) hailing from a rich background and well-pampered by her family members. Eventually, rest of the film is about the girl mistaking the boy to be a ruffian and later how this lad wins over her heart with smart moves forms crux of the story.
The screenplay is so interesting especially in the latter part once Pawan, the police officer is introduced. The protagonistâs smart moves are so decorously planted by Manohar, especially the climax portions with lots of fun and equivalently emotions. However, the filmmaker couldâve avoided the lengthy-dragging dialogues and got it trimmed in climax as audiences are quite perplexed what she wants to convey.
Although, there are certain loopholes in the racy-screenplay, it isnât much blatant to your cognizance if youâve merely planned to sit back and relax. The film has much funny movements that are quite enjoyable. MS Bhaskar enacting the role of various actors from Rajnikanth till âGhajiniâ Surya is hilarious. Santhanam-Srinath combo works the best alike in âSanthosh Subramaniamâ. Nakul has improved a lot from his previous film and behaves much matured. Sunaina looks so contrastive from her debut flick as she has lots of rooms for performance, uttering dialogues and glamorous quotients.
Musical score by Imman embellishes the film with good songs. âOdi Odiâ is a peppy fast beat number that wins the applause from audiences. Thiruâs cinematography is okay and he couldâve avoided certain shakes on his camera.
On the whole, âMaasilamaniâ is a film you can watch once if youâre not so concerned about logics.
Verdict: Watch it once (2.5)
Richard Mahesh
Submit your Masilamani Review here
Banner: Sun Pictures, AGS Entertainment
Production: Kalanidhi Maaran, Kalapathy S Agoram
Story, Screenplay, Dialogues and Direction: RNR Manohar
Star-casts: Nakul, Sunaina, Pawan, Karunas, Santhanam, Srinath, M S Bhaskar, Raj Kapoor, Santhana Bharathi, Delhi Ganesh, Meera Krishna, Manobala, Tharani and many others.
Music: D. Imman
âKadhalil Vizhundhenâ perhaps couldâve been commercially successful with the wild marketing of Sun Pictures. But to be incisive, this endeavor with âMaasilamaniâ is quite commendable from the point-view of âBâ and âCâ centres. Director Manohar who strikes with his debut directorial after penning dialogues for various Tamil films has proved himself to be brilliant on penning smart-moved plots. Although, few amongst them in screenplay are illustrating to be absurd, theyâre diminished with the good packaging.
After a long time, we tend to hear whistles of cheering from audiences for the fast beat songs. Applause to Imman indeed!
The filmâs script is so simple. Born and brought up across the lanes of Rani Anna Nagar slum, Maasilamani is an aggressive youngster who strikes violently when unjust troubles his colony members. He falls in love with Divya (Sunaina) hailing from a rich background and well-pampered by her family members. Eventually, rest of the film is about the girl mistaking the boy to be a ruffian and later how this lad wins over her heart with smart moves forms crux of the story.
The screenplay is so interesting especially in the latter part once Pawan, the police officer is introduced. The protagonistâs smart moves are so decorously planted by Manohar, especially the climax portions with lots of fun and equivalently emotions. However, the filmmaker couldâve avoided the lengthy-dragging dialogues and got it trimmed in climax as audiences are quite perplexed what she wants to convey.
Although, there are certain loopholes in the racy-screenplay, it isnât much blatant to your cognizance if youâve merely planned to sit back and relax. The film has much funny movements that are quite enjoyable. MS Bhaskar enacting the role of various actors from Rajnikanth till âGhajiniâ Surya is hilarious. Santhanam-Srinath combo works the best alike in âSanthosh Subramaniamâ. Nakul has improved a lot from his previous film and behaves much matured. Sunaina looks so contrastive from her debut flick as she has lots of rooms for performance, uttering dialogues and glamorous quotients.
Musical score by Imman embellishes the film with good songs. âOdi Odiâ is a peppy fast beat number that wins the applause from audiences. Thiruâs cinematography is okay and he couldâve avoided certain shakes on his camera.
On the whole, âMaasilamaniâ is a film you can watch once if youâre not so concerned about logics.
Verdict: Watch it once (2.5)
Richard Mahesh
Submit your Masilamani Review here